soft

1o14:

by george w bush

1o14 nakedbutt w. 303 notes

1o14:

by george w bush

roseydoux slowdumbshow4you w. 1,682 notes

Please don’t confront me with my failures

I have not forgotten them

tigerchildrencobramountain:

LOL, Don’t Touch Me
- Lauren Armstrong ‘13
(based on this thing I had with someone when I was 19)

tigerchildrencobramountain w. 60 notes

tigerchildrencobramountain:

LOL, Don’t Touch Me

- Lauren Armstrong ‘13

(based on this thing I had with someone when I was 19)

exceptdissent:

me.

addelburgh exceptdissent w. 8,765 notes

exceptdissent:

me.

angelemoji666:

Kaye Blegvad

gay8 cumanana w. 2,624 notes

angelemoji666:

Kaye Blegvad

excdus:

Ren Hang

excdus hella-lujah w. 3,438 notes

excdus:

Ren Hang

gabbigolightly w. 49 notes

ultrasphinxx dumbfricks w. 5,784 notes

mushroomkisser:

It’s important to talk about how vaccines don’t cause autism, but can we please also talk about how much people must hate autism if they’d rather expose their child to polio, measles and chickenpox than autism?

mushroomkisser cumanana w. 21,133 notes

5centsapound medievalpoc w. 2,598 notes

medievalpoc:

lawd-knows:

5centsapound:

Terrance Houle: Urban Indian Series (2004), 

Born December 9, 1975, in Calgary. Lives and works in Calgary. In a practice that ranges from performance to photography to film and video works, Blackfoot artist Terrance Houle remakes the troubled history of colonialism and First Nations identity with a roguish wit and punk-rock edge. His strategy matches self-deprecating humour with an uneasy undertone; the results cut away at both Aboriginal and non-Aboriginal notions of an urban Indian status quo. In his Urban Indian Series (2004), Houle is pictured grocery shopping, working in an office cubicle and riding public transit—all in elaborate powwow regalia.

In the performance video Friend or Foe (2010–11), he plays off cultural and historical gaps in communication while dressed in a loincloth and communicating by sign language.

turn up

Contemporary Art Week!